Research Task - Catch Me If You Can - Dilys

Catch me if you can has an extraordinary opening for the credits, a cartoon of the main character Frank in mini stories of him escaping and tricking characters. It is very effective as an opening as it is fast paced and entertaining it also helps set the theme of the film as it suggests it'll be action packed.

• The opening sequence for Catch Me If You Can is very interesting, it opens on a lively chat show with, laughter and fun music in the background, this contrasts with the rest of the film which is following the journey of quick-witted and clever Frank, so as an opening for a thriller it immediately sparks curiosity in the audience. Simplistic medium close up shots of the characters faces help introduce the character Frank. The three characters who are being interviewed are dressed in pilot uniform which suggests that they are well educated and middle class men.

• The camera then cuts to a completely contrasting place, there is a group of men dressed in black stood outside a prison. As the men are dressed in long black raincoats it suggests that they important they are also wearing black hats which has connotations of something spooky and evil. The heavy rain helps create the mood for the scene, perhaps it something miserable and gloomy, creating pathetic fallacy and is symbolic for a classic thriller opening. All the men are speaking quickly and over each other, implying that there is some urgency and excitement. The date stated on the screen is Christmas eve, this implies that what they are doing is very important, also as its outside a prison the audience can presume that there will be an element of crime within the film. The music although not fast it helps to build tension as its dramatic but not overly emphasized, which makes it enjoyable and the audience wanting to hear more.

• The medium long shot taken of inside the prison is very informative as we can see how the prison is cold and harsh through the dull painted walls and big metal doors, this again helps define an atmosphere and suggests a creepy element through the choice of colour. The first shot of Frank is taken through a small latch in his prison cell, the framing of Frank here is very significant as it is rectangular and he sits in it crouched over, implying that he is always trapped as a character and is weak and vulnerable. 

• A few shots later as Frank tries to run away through the prison, he is followed by a tracking shot at a high angle this again suggests that he is weak but also as the shot if taken from Tom Hank's characters point of view he is the one with the power and we can predetermine that the film have something to with him trying to catch Frank. As Frank runs through the prison the other prisoners bash their cups against the wire mess, this is very noisy and disturbing, it also helps to build suspense as the audience will want Frank to run. Frank is grubby and seems ill in the prison shots suggesting that his character although hero also has a bad side to him and seeks danger and thriller.

Research Task - The Bourne Identity - Dilys

The Bourne Identity is a very traditional style opening for a thriller its is intriguing for the viewer and immediately places you right in the action 

(I've analyzed from 00:00-2:30) 

Camera Work

• The sequence opens with an extreme long shot of a boat in a storm at sea, this strong visual imagery to open up with is captivating and immediately makes the audience curious and wanting to know more
• The decision to use low angle shots of the man who has been shot is interesting as it suggests that he is weak and vulnerable, the first gun shot of the scene is from someone the audience can not see helps build suspense

• Tracking shots are used in the opening  sequence on the character who has been shot, this suggests that we may be following his journey 
• The shots taken in the ocean as the character sinks perhaps are there to help the audience connect with the character and make them feel as if they are also with him 
• The long shot taken of the character in the ocean as he battles with the waves suggests that he alone and that there will be more battles in the film

Sound

• The movie opens with thunder overhead and sounds of what would appear to be a storm, however there is no picture on the screen at this point so it is up to the audience to interpret what is going on, it also creates an dangerous and scary opening, thus setting the mood for the rest of the movie
• The non-diegetic music playing in the background is dramatic and creates tension, at first it is slow and then the pace quickens and building suspense, it is classic action fulled thriller music 

Mise en Scene

• Pathetic fallacy is created in the opening sequence, the scene begins with a storm, it suggests the film will have a thrilling dramatic theme to it and it also helps to set the mood. It is also raining which gives connotations of something miserable and uncontrollable 
• The two characters are dressed in trousers and jumpers suggesting that it is cold and that they are working as the clothes look comfortable and easy to move in

Editing

• The opening credits are in black and white which suggests simplicity but also as the are opposites it suggests there will be competition and contrasts to come. 
• There is a match on action shot as we see the man shoot the other man again and then we see him fall into the ocean, I think it is important as it shows the brutality of what has happened. 
• Slow motion is used to show the character sinking it helps to show his vulnerability against the dark sea
  

Research Task - The Disappearance of Alice Creed - Dilys

The thriller The Disappearance of Alice Creed has a suspense riddled opening with dramatic music, intriguing camera shots striking visual imagery, all are used to keep the audience captivated and create tension. 

• One of the first shots dolly shot of the car park past the cars to the white van which the two key characters are breaking into, this camera shot suggests that the thriller is set in urban setting. The use of shallow depth of field in the following shot shows the importance of the character and that he is keeping watch as the other breaks into the van, this immediately makes the viewers weary of these two characters.  The van they are breaking into is plain white with no logos and no number plate, this raises suspicions as it connotes that they are doing something illegal and bad. The track in shot of the van as it drives through the car park is very important and it conveys the idea of normality even though what they are doing is sinister. 

• The use of close up shots in the sequence in the hardware store are used to show what the characters are buying this then leaves it to the audience to interpreting what they are going to do with their purchases, this is key to a good thriller as it will keep the audience captivated as they will want to know what the characters are going to do. The use of a low angle shot of the two characters is very effective as it makes them seem confident and in control which is unsettling for the viewer as what they are going to do is kidnap someone. The two characters are dressed in dark clothing and we can presume they are middle class which adds a sense of realism to it. The fast paced music throughout the sequence helps build suspense also. 

• The two characters then drive to a deserted house with low lighting which looks like it hasn't been inhabbited  for years, this is very symbolic as it implies that there's something spooky and eerie about the place. As the two men prepare the room they do all of the same movements, its almost symmetrical and there is never any dialogue between them both which implies that it is all thought through thoroughly and planned out perfectly, this again adds an sinister feel.The zooming in on the door with many locks on implies that'll be significant as we can guess it is the door to the room where the victim will be held

• It then cuts to the characters walking through a dark isolated forest with tall trees at dusk, this is a perfect perfect example of pathetic fallacy, the wood is creepy and sinister, perfect themes to begin a thriller with 

Research Task- James Bond Casino Royale- Lisa Walden

The film commences with a scene shot almost in black and white- There is very minimal lighting here which allows the audience to focus on the shot reverse shot conversation, followed by various flashbacks of a murder scene. As it was shot using low lighting it creates a very dark distressed feel.   

Sound & Lighting 

• At the very start there is very minimal backing sound so the audience find it easier to listen to the dark, low voices of the men in discussion. At (0.36) it shows a 2 shot of the men and the surroundings that they are in. The lighting here is very obscure with only part of their faces being lit.
•  At (0.41) it rapidly alters to when James Bond violently murders a man, the scene here is much lighter how still slightly in black and white form.
•  The sound is more or less just the harsh sounds of the men fighting and trying to brutally murder one another. The audience are given the eye to closer viewing at this part- with birds eye views and close-ups, allowing us to notice every detail of the killing. 

Editing

•  When the scene quickly changes from the 2 shot discussion to the fighting scene(0.41) it is a very fast cut, which ties in with the very fast action scene- This can cause the audience to feel on edge as it wasn't expected.
• At the stage of the fight it is shot in an off black and white to make it seem much more of a derelict area and as it was a flashback it shows how it's only a memory, this also creates a depressing and gloomy atmosphere.
• At (2.02) we see a close-up of James Bond's face, so we see how he reacts when he realises that he's killed the man. The audience can then relate to how he is feeling.
• When James bond kills the second man at (2.19) the camera changes from the gun to the murdered man, so that the viewers are able to see him falling off his chair(2.20) If the audience didn't have a clear viewing of this, it would make the story unclear as they wouldn't know who has been shot. After he has been killed the camera then turns back to James Bond so we area able to understand his emotions.
• When the titles begin to start (2.33) we see James Bond shooting towards the camera, followed by running blood, symbolising that he did kill the man. 

 Mise en Scene

• James Bond and the featured men in this clip are dressed in a very smart black suit suggesting they are very sophisticated and take their job seriously. It gives the audience mixed messages towards James and how he works; most murderers are mainly dressed down in very casual attire, however James shows that he's very serious and wealthy.
• The decor of the setting in the beginning shot is very simple yet elegant- it's kept very simple so that we are enabled to focus on the characters and the role they play instead of getting distracted by modernised furniture. As it's set in an office it gives an insight into how serious the discussion must be.

Research Task - The Untouchables - Dilys

The Untouchables has a sightly different style of opening to a usual thriller, but its unique opening is just as effective, from the intriguing camera work and choice of having a marble floor room to the positioning of characters and costumes. All choices come together to create a captivating opening.

Camera Work

• The sequence begins with a slow track in probably using a crane or a jib this suggests that the characters are being watched and that they are vulnerable, it also makes the audience curious about the characters and why there is an implication of them being spied on. It also shows the Al Capones importance as he is lying very central in the room.

• The shot of the barber after he has cut Capone is interesting as its from a low angle so he should be the one in power but instead his frightened expression can be clearly seen as it would suggest otherwise.

Sound

• Al Capone is the main dominating voice in the sequence suggesting he is important and domineering
• Al Capone is being interviewed by an English reporter which suggests that he is well known, as he is famous overseas and an important person 
• There is no music in the background which is unusual for a thriller opening but gives connotations that there is a serenity and eeriness to the film

Mise en Scene

• All the men surrounding Capone are dressed in smart suits this suggests that they are important and the character who they are around is important as they are all positioned around him, this will raise suspicion in the audience as they will want to find out who this man is 
• Capone's face is covered to begin with connoting that he mysterious, intangible and has something to hide 
• The setting is a large circular room with a very high ceiling, the hard marble floor suggests that this is not a place for enjoyment and the use of the colour red and gold on the doors and walls suggests an element of wealth
• The Barbers terrified reaction to when he accidentally cuts Capone, makes the viewer immediately weary of Capone an begin to question what he is capable of if he can cause such a reaction
• The red blood suggests the thriller will include violence and crime

Editing 

• There are only six cuts in this sequence suggesting a calmness and power over what is going on leaving a perfect opportunity for a contrast to any other thriller. 

Research Task- Se7en - Lisa Walden

The beginning of this sequence starts off with various fast-paced actions being placed together to create what seems to be the planning of a murder. Fast, eerie music is covered on top, creating a distorted feeling, with the dark lighting and furniture adding to the atmosphere.

Editing

• There are many extreme close-ups and close-ups of his hands carefully taking on a task during the beginning scene; it doesn't allow the viewer to quite understand what is being done however it still gives a minor insight into what is happening.
• The actions of the character are all fastly paced together, switching from one action to another, suggesting to us that there is a lot of planning and precision in what he does.
• Even the titles throughout the start carry the 'thriller' theme- Fast, jerky titles portray what the film may be like-a thriller leaving people on-edge. Every tiny piece of the editing invites viewers into the film but leaving small hints as to what might later appear.

Mise en Scene

• The sound during the beginning creates quite a disturbing atmosphere suggesting death or murder; the lighting too adds to the atmosphere, being slightly dark creating shadows of the character and his action leaving the viewers unknown and distort about the plot.
• Towards the end of the beginning the music and actions of the man speed up again creating a disturbed atmosphere. The lighting, sound, decor and even style of font for the titles help create the perfect thriller- they don't allow the audience to view from a long-shot distance what is being done, they prefer to keep it more of a secret and just slip away small details of the actions, this has much more of an effect on the audience.

Lighting

• Lighting here very minimal-only minor top and side lights- this creates a dismal atmosphere.
• As the audience don't see a long-shot of the whole location they rely on just small snippets and shadows of actions to piece together the plot.
• The shots are often blurred or shaky(0.34) which help create an uneven atmosphere. It often appears as only a small desk light may have been used in various close-up shots, creating a very dark appearance; although the audience haven't seen the character they still get an outline image of what he might be like- evil and death associated.

Research Task- Sorority Row- Fatima

Sorority Row starts off with a establishing long shot of a huge house and you wouldn't know what to expect.

 

Sounds

• The first few seconds you can hear glass breaking, screaming and in the music you can hear some sort of heartbeat or beating
• a sinister type of music is playin in the background which makes you think question what is going to happen next.
• The music starts to build up (2:37) until when the girl megan starts vomiting when everything get all serious and then it starts building up again creating more suspense.

Camerawork

• The camera is tracking toward the house 
• A steady cam is used to show the action that is happening so it involves the audience it what is happening.

Mise en Scene

• Majority of the opening scene they are in the house having fun like teenagers are supposed to
• They are in their easy and comfort type of clothes which might go with the theme of sleepover party

Research Task- Scream 4- Fatima

The beginning of the sequence in Scream 4 starts off with the phone ringing which might make us wonder who would be calling

 

Sound

• The first thing you hear is the phone ringing but when she presses the button it's louder then you would expect so thecreated it by using foley artist to emphasize it more along with when Sherrie puls out the knife it's louder then it should be.
• There is a sort of eerie music in the background which creates suspense but it stops when Trudie speaks but resumes when Sherrie talks
• The phone buzzing you hear it before you see it.
• The music was building up towards whether Sherrie should open the door and when she does (3:12) it slows down.

Camerawork

• Panning is used when Sherrie walks toward the kitchen and it is in mid close up 
• Shot reverse shot is used between the the two girls
• Throughout the scene it is in medium shot which lets us see the background and is easier to see the dialogue between the characters.
• At (3:16) the camera is at a extreme long shot showing the house.

Research Task- Kill Bill Vol 1- Fatima

In the opening scene, Bill kills all of the other members of a bridal party, and leaves The Bride (Uma Thurman) for dead.This makes it very intense to watch.

 

Sound

•  The first thing you hear is the bride breathing really hard and footsteps that is drawing closer to her.
• You don't see the man you can just hear him talking which creates us to think he doesn't want to be seen.
• If we can't see him we wouldnt know what to expect, from the way he talks he seems like a middle aged man
• You don't see the bride speaking until (1:23) where he is about to shoot her. When she says 'baby' that is when he shoots her
• They used foley sound to make the gun shoot louder then it should of been this makes it even more dramatic and intense.

Camerawork

• There is a close up of Uma Thurman all beaten up and she looks very scared  because she doesn't know what is going to happen next.
• Throughout the scene it is always a close up of her showing her reactions to what he is saying

Mise en Scene

• You can see the cloth he is using to wipe of the blood on the bride's face which says his name on it which gives it away that he is Bill
• He must be wearing a suit becuse you see the cufflinks on the end of his arms and he seems to be wearing jewellry

Editing

• There is only to 3 cuts when the camera is on Uma then to the walking then back 2 Uma

Research Task- Snatch- Fatima

Snatch is quick, fast and the music is very upbeat. From the opening scene you can see they are robbing a

 

Mise en Scene

• The costume they are wearing are hiding their identity which shows they know what they are doing and it isn't their first time doing it.
• The setting seems to be in an office and it seems very dull

Editing

• The are using different ways in connecting everything together which is very smart because it works from the way they are throwing cash to one another to them playing poker
• The music goes well with it because it is paced very well with it from the way it is all quick 

Research Task- Sin City- Fatima

The thriller opening starts off with the lady in red going to the edge og the balcony. The film is in black and white which makes the red stand out more along with her red lips. Red can mean sin.



 

Sound

• You can hear the footsteps of the lady walking toward the balcony
• You can also hear very faintly traffic in the background since it is a city
• 
  

Mise en Scene

Lighting

• It seems to be like the lighting is comin from the windows

Camerawork 

• Shot reverse shot is used which shows the characters facial expression.
• Over the Shoulder is used showing it from the characters perspective

Research Task- Lisa Walden (Jaws)

The two musical notes during the opening title sequence are well known and create a sense of fear in and of themselves. The unsteady camera action and movement give the viewer the Sharks eye view of the underwater scenery. 

Sound

• As the Shark theme increases in tempo and volume the suspense is heightened in the knowledge that the victim is close and about to be attacked. 
• The only sounds heard as Chrissie takes a dip are the gentle clang of the bell on the bouy and the lapping of water as she bathes. This is broken by the sudden grab from underwater by the predator.  

Lighting

• Warm colours and low lighting give atmosphere to the beach party and as Chrissie leaves and runs across the dunes the silhouette effect with the fence against the dusky sky adds scale.
• While she takes a moonlight dip the camera views her from beneath portraying the eyes of the shark. We see only her silhouette here, with a light sea-like brightness. It appears to be lighter from the sharks perspective and then when the camera switches to above the ocean we are met with the darkness of the sky yet it is still light enough to picture the attack.

Mise en Scene

• Both the clothing and the layout of the scene have great meaning in this thriller opening- We see that for the period that Chrissie has her clothing on, she wears very casual clothes, her hair is also very simple giving us an image that she doesn't really make much of an effort, just simple beach hair. This 'rough' image look is often used in thrillers, perhaps her being more lower classed and more likely to go for a daring midnight swim.
• There doesn't appear to be much decor or indoor furniture features due to the opening being set on a beach, however the oldened fence and weedings on the sand still add to the atmosphere creating a derelict dangered feel. If it had been chose to be shot on a modern, first-class beach it would be a little unbelievable that such a dreadful attack would happen there.

Editing

• The editing in the first sequence appears to be very soft at the start, showing peace and fun between the youth, however when the attack begins to occur we see shots from the sharks perspective and shots from what Chrissie sees and how she's being dragged around.
•  As we get to see the underwater monster rising for his pray we automatically know what it must be, without this it wouldn't feel too much like a thriller. This creates much more of an atmosphere for the audience, leaving them with an on-edge feeling.
• There don't appear to be many close-up shots during the duration of Chrissie's death, just long-shots so we are enable to see that the area is derelict with no people, but her drunk friend around. As it was shot in a dark environment it makes it easier to view shots from a long distance instead of close-ups as they could be hard to identify, due to the low lighting and dark water around.
• Often in thrillers it's important to focus on the characters facial expressions and emotions to see how they react to something (this also creates suspense), however when it's shot with dark lighting it makes it easier to picture what it happening when shot from a long-shot or birds eye view.

 

Research Task- Lisa Walden (Deja Vu Opening)

Deja Vu is excellent example for a thriller opening. The apathetic music ties in perfectly with the with the cliff-hanger story later to appear. The close-up's, Extreme close-up's and Bird eye Views knot together to create a thrilling opening. 

Sound

• The dreamy yet very edging music creates a mood of suspense and un-known, leaving the audience on edge about what is going to happen next.
• Even the short slow cuts accompany well with the style of the music. You hear no sound of disscussion in the first scene only short sharp laughing sounds and the sound of the horn.

Camerawork

• The film awakens with the first viewing being over a beautiful white ship surronded by spectacuar views, this is shown with slow cuts of long shots and bird eye views, giving the viewer an insight into the beauty of the film, however still appearing to be thrilling.
•  There are also close-up shots of families and friends togeather, allowing the viewers to see what has been destroyed once the accident happens.
• The camera moves closely into the car with the bombs showing the man's facial expressions as he trys to puzzle together whats going on.

Mise en Scene

• The film begins with bright white lights shining onto the ship, allowing the viewers to see everything that is taking place- If it was shot with darker lighting it would be hard to allocate what is happening.
• As the start is not shot with darker background it gives an unlikely feel that something unsuspecting is going to occur, however as it's bright and clear it enables us to piece together all that is happening and we are more likely to be given hints as to who planned the bombing.

Research Task- Lisa Walden (Misery By Stephen King)

This thrilling opening starts off with the harsh sound of a type writer followed by close-ups of various objects for example a match and wine glass. At the very start there is no sound except the typing to be heard, followed by a very dreary faint piano sound creating a very unsuspected atmosphere. 

Mise en Scene

• The wooden themed living furniture and decor aloows the viewers to get an insight into how this person lives and what sort of life they live- It also seems like the perfect place for a thriller film to take place, for example murders are more likey to occur in old, dark wooden houses. We also see here that the weather outside seems glooming and dark, possiably showing that something unlikey may arrise.
• The dark clothing of the man also tie in well with the suspense in the film; if he were to be wearing happy and lively colours we would assume something exciting may happen.

Editing

• At the very start the audience are confronted with an extreme close-up of a type writer, giving a clear insight into what is being written. This is possiably used as a minor clue as to what may occur later on. At this stage there is no background sound, only the noise of typing, this adds to the thriller atmosphere.  

Backlight

The last image that we took was using only back lighting. This was the one was one of our favourites; it creates a mystical look that could be added to a scene of ours to show power and strength in a character. Here it makes Sharlotte look bright, although we can't clearly see her face we are still able to identify her facial expressions. It's oftenly used to seem like it's the sun behind the characters, for example it could show them facing the enemy with courage and power or even be them entering a dark lost room with the outside light behind them. 


By Dilys, Lisa and Fatima

Side Light

We re-created this Side Light image by placing a bright false light onto the right side off Sharlottes face. We tryed placing it onto the other side however we decided to keep it on this side as it was the same side as the door which brought in plenty of natural light. We experienced only a few minor problems with this, only that as the setting we choose wasn't as dark as we hoped it ment that it was hard to create a dark side. Howecer with plenty of false lighting we managed to block out most of the exsisting light. This is a technique that we could like to incorporate into our own work. It could be used as a symbol to block out someones hidden bad side-a side that the characters arn't aware of. This lighting technique can be used to portray many different things.


By Dilys, Lisa and Fatima 

Top Lighting

To create this Top Light image we used false lighting and held it above Sharlotte so that the top of her face and head would be lit up. This image makes the person look bright and radiant, it could be used in our film work if we wanted there to be a small light hanging from the ceiling and the rest of the background to be dark. It too creates suspense as the viewers wouldn't be getting a clear view of the rest of the setting, also it draws attention onto the character and there facial expressions, emotions and actions. 


By Dilys, Fatima and Lisa

Bottom Up Lighting

This is our bottom light image, we created it by placing a bright light right under Sharlottes face, this way the light shines up onto her face creating quite a distorted image. We enjoying shooting this picture as it was intresting to experiment with different ways to make the lighting work. 


We could incorporate Bottom Up Lighting into our own work when using it on a person to add to the thriller by making them distorted and frightning to other characters and to the audience. It also shows that they are in a dark setting which creates suspension and tension. 


By Dilys, Lisa and Fatima

Key Light and Fill

This is our Key Light and Fill image. We had two different lights at two different angles to create this shot. We didn't find this task too confusing as we knew how it needed to be set up. 


By Dilys, Lisa and Fatima

Research Task -The Dark Knight - Dilys

The Dark Knight Rises is the perfect opening to a successful thriller it has eerie music, contrasting shots and masked men, every aspect of the opening helps to build the foundations for a reverting thriller.  

Camera Work

• The film opens with a  extraordinary establishing shot of the city, the number of high rise buildings suggests that the action will take place in a busy, fast moving, wealthy, location, it is also day time suggesting that the characters are reckless and fearless
• The slow track in on the back of the Joker is to introduce and place emphasis on the villain, as the shot is taken from behind it there is a sense of mystery about the character as the audience can not see his face
• A steady cam is used at 2:19-2:25 to help to involve the audience in the action as it makes it feel as if you are running along side the masked men
• Tracking is also used in the sequence to give a P.O.V shot from the robbers perspective
• The use of shallow depth of field here to show the importance of the masked figure as he loads his gun, helps to build suspense as audience watch him load it and prepare for action  

Mise en Scene

• In the opening scene the supposedly villains of the sequence are dressed in masks, having masks adds an abstinence to the characters as the audience cannot see their faces, also the masks look like scary, threatening clowns, giving connotations of something evil, which is a key element to a good thriller
• The majority of the opening sequence is set in a posh bank, a very stereotypical setting for action in a thriller, importance and power are both conveyed
• In the bank there is dark lighting to help create an edgy atmosphere, the light that does come into the bank is through the windows with shadows like bars coming across this gives connotations that the film with involve crime and prison

Sound

• The music being played in the opening sequence is loud and suspense ridden, it begins slow and steady with an eerie sense to it and then as the car pulls up and screeches the pace of the music quickens again helping to fasten the pace of the sequence and build anticipation 
• The dialogue is very minimalistic as to not reveal to much, it is also very much based on the character the Joker, leaving the audience guessing and wanting to know more about this character 
• The gun shots would of been created by using Foley artist and are emphasized in the sequence, this is to prepare the audience for fast action fulled sequence  

Editing

• Throughout the sequence the cuts become quicker and quicker to fasten the pace of the sequence and implicate that the action all takes place in under three minutes and that the characters are on a time limit
• The parallel editing in the sequence is very significant as it shows how the characters are all intertwined and prepared for the robbery 

Frontal Key Light

This is the image we took using only the Frontal Key light. It was an easy shot to take as we found placing the lighting in the correct place wasn't too complicated. This type of lighting is very effective as it shines light onto the whole face, so the viewers are able to see character emotion and expression. 


By Dilys, Lisa and Fatima 

Silhouette Effect

This is the Silhoutte Effect that we re-created. We used false lighting to try and make it work, however we had a few problems as we shot it during the day so it was a challenge to make the room look much darker than the other side of the door. We tryed many various ways to make it work, for example we tryed places lighting in the corridor which evenutally worked, creating a beautiful Silhouette effect. 


By Dilys, Lisa and Fatima 

Lighting Exercise- Second Part

For the second part we were given an option of three images which we were to re-create. We choose image B, which shows one side of a face being lit up. This was a fun and simple shot for us to re-create, as we knew what it took to create good lighting on one half of a face. 



The only difficaulty we encountered was finding a dark enough room, as we shot it during the day. We figured that with plenty of light shining onto one half of the face it would lightly black out the other side. We were pleased with our outcome. 


By Dilys, Lisa and Fatima 

Lighting Exercise

 Image A 

We didn't experience many difficulties with this shot however, it was a little complicated with getting the lighting in the right position. We found it a slight struggle to actually re-shoot the image we had been given as it was hard to see what was going on in the shot, however we tryed our hardest to capture it. 

By Dilys, Lisa and Fatima 

Editing

These are some pictures that show us as we started to edit our footage. We had a few difficulties with the editing process, one of them being adding in the music and making sure that all the shots we took were in the right place and at the right time.  













To overcome these problems we tryed diffrent ways of working it out until we were finally happy with our finished footage. Whilst we were in the process of filming our footage we spent numerous takes trying to get the right shots. An example of this was trying to film the Match On Action scene as it took a while until it looked perfect. 


By Lisa Walden.

our finished video

Editing and Filming

Filming our premilinary was good to do because it was a sort a test for us to do before we do our thriller work. We had fun doing it but it took so long for us to film it becuase we wanted it to be right. For instance the match on action of the throwing of the book we had to film it 8 times because it was so hard to do. But we did it.
Editng our film was okay because we did editing before so it was easy to remember however, we did forget how to put sound at the background and it took us so long to figure it out. But at the end we were able to do it.


By Fatima

Our Actors on Set

This is our two actors during filming. This was taken when we were shooting our Match on Action sequence. 

By Dilys and Lisa

Performing a Technique

The technique used here during our filming was a tracking in shot to show her facial expressions and reactions. 

By Dilys and Lisa